A SCHOLARLY BOOK REPOSITORY
As a writer who, beginning in the 1930s, illuminated the lives of ordinary people, Steinbeck came to be the conscience of America. He witnessed and recorded with clarity much of the political and social upheaval of the 20th century: The Great Depression, World War II, the Cold War, and Vietnam. Yet his place in the literary canon of American literature has been much debated and often dismissed by academics. Beyond Boundaries argues persuasively for Steinbeck's relevance, offering a fuller, more nuanced and international appreciation of the popular Nobel laureate and his works.
Topics treated in these wide-ranging essays include the historical and literary contexts and the artistic influence of the eminent novelist; the reception and translation of Steinbeck works outside the United States; Steinbeck’s worldview, his social vision, and his treatment of poverty, of self, and of patriotism; influence on Native American writers; the centrality of the archetypal feminine throughout his fiction; and the author's lifelong interest in science and philosophy.
International in scope, this timely study reevaluates the enduring and evolving legacy of one of America's most significant writers.
Cultures of War in Graphic Novels examines the representation of small-scale and often less acknowledged conflicts from around the world and throughout history. The contributors look at an array of graphic novels about conflicts such as the Boxer Rebellion (1899-1901), the Irish struggle for national independence (1916-1998), the Falkland War (1982), the Bosnian War (1992-1995), the Rwandan genocide (1994), the Israel-Lebanon War (2006), and the War on Terror (2001-). The book explores the multi-layered relation between the graphic novel as a popular medium and war as a pivotal recurring experience in human history. The focus on largely overlooked small-scale conflicts contributes not only to advance our understanding of graphic novels about war and the cultural aspects of war as reflected in graphic novels, but also our sense of the early twenty-first century, in which popular media and limited conflicts have become closely interrelated.
• Two weeks after Johnny Moore was discharged from a psychiatric hospital, the deeply troubled teenager took a lethal overdose of the antidepressant prescribed by his psychiatrist.
• Dennis Gould suffered from paranoid schizophrenia. He let a streetcar cut off his right arm rather than carry out his divine mission to kill his ex-girlfriend, Shelley Rotman; three years later––while under psychiatric care and after several hospitalizations––Gould stabbed the young woman to death with his left arm.
• After seven months of psychotherapy as his only treatment in a private psychiatric hospital, Raphael Osheroff’s symptoms of the agitated depression that had destroyed his medical practice and personal life were more severe than ever. At a second hospital, Osheroff was given the antidepressant drugs he had been asking for––and he rapidly improved.
• Joan Barkley went to Dr. Jonathan Fox for help in overcoming her addiction to Darvon. After a year of therapy, the twice-weekly sessions turned into intense sexual encounters, which continued for two years.
James Kelley tells the true stories of people who sought help from psychiatrists and ended up suing them for malpractice. These tales are compelling, tragic, and sometimes bizarre. They offer a unique view into a relationship that is normally confidential and caring––but can be catastrophic when it goes wrong. Kelley discusses several cases that received national attention: former Reagan administration press secretary James Brady's suit against the psychiatrist who had been treating John Hinckley; the Tarasoff decision that established the psychiatrist’s duty to warn potential victims of a patient’s threats; and the disciplinary proceedings against Dr. Margaret Bean-Bayog for her unusual “mothering” treatment of Paul Lozano.
Kelley accompanies detailed accounts of courtroom clashes––based on court records––with clear, even-handed treatments of four kinds of psychiatric malpractice cases: a patient’s suicide, a patient’s violence against other people, a psychotherapist's sexual misconduct, and the use of unconventional treatments. With a wealth of examples, he explains the role of psychiatrists as expert witnesses against each other, the difficulties of predicting the outcomes of these suits, and the balances psychiatrists and judges have to strike between the duties owed to patients, on the one hand, and to society on the other.
Whether you identify with the patients or the psychiatrists, you will find these tales unforgettable. Kelley writes in nontechnical language for the general reader, stressing the human elements. His lucid analyses of key, current issues make his book essential reading for professionals in mental health or law––and for anyone contemplating a malpractice suit.
After fifteen years of full participation in a church that is open not only to skeptics but also to gay men and lesbians, blacks and Jews, where members are invited to critique Sunday sermons, and where hymns are rewritten to reflect feminist concerns, Kelley found that his agnosticism remained but his skepticism about church participation had disappeared. Modern urban life can be a sterile, isolating experience. Yet in St. Mark's Kelley discovered a place of vibrant community, honest inquiry, and support over the hard places in life.
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